There is something fantastic about looking at a design and being able to recall ones that are similar. Today on Dezeen.com I came across a bench designed by Ghery. My fellow readers were kind enough to post similar works done by different designers. Examples are posted below:
If design is an organic process then similar mutations are to be expected and perhaps encouraged as the product is refined. Notice the subtle nuances differentiating the three designers mentioned so far. Each adds his/her own particular quality into the equation. It is this subtlety that makes all the differences.
Have you noticed how Ghery finishes the tail of his structure with quite a coarse ending of somewhat ruggedly cut reeds? This adds to the “whooosh” effect of the dynamic snakelike form he has created. This is not to be observed in Pliessnig nor Trubridge, who prefer to trim their structures with rather more geometrically defined finish. Not that Ghery’s stance is superior in any way, indeed, there is a certain degree of impracticality to this feature, including the possibility of tearing ones tights!
There is also great elegance in the parallelinearity of the seating and the reeds are sufficiently spaced so as to give a true impression of translucency (again a subtle differentiator to the work of say, Pliessnig, who seems to prefer closer spacing) I would love to sit on these.